Booknotes

Items

• Mutual contempt: Lyndon Johnson, Robert Kennedy, and the feud that defined a decade.

  An account of the relationship between Lyndon Johnson and Robert Kennedy.
• Where the game matters most: a last championship season in Indiana high school basketball.

  An account of Indiana high school basketball.
• Hidden order: the economics of everyday life.

  David D. Friedman demonstrates how economics can be used to understand all aspects of human behavior.
• The strange deaths of President Harding.

  An account of the administration of President Warren G. Harding.
• Asphalt nation: how the automobile took over America, and how we can take it back.

  Details the effects of the automobile upon America.
• Libertarianism: a primer.

  Details the concept of Libertarianism.
• There's nothing in the middle of the road but yellow stripes and dead armadillos.

  An account of American politics including such topics as the two-party system, Wall Street, Bill Clinton and others.
• Drawing life : surviving the Unabomber

  On June 24, 1993, David Gelernter opened a package that exploded, blowing off most of his right hand and damaging his hearing, eyesight, and chest. Ironically, the perpetrator, the technology-phobic "mad genius" we know as the Unabomber, managed to punish one of the very few people who are deeply skeptical about computers and openly critical of technology. Perhaps the greater irony is that the bomb meant to destroy a man's life remade it, and the wounds meant to break his spirit only strengthened it. Now, in this haunting memoir, Gelernter makes a metaphor of himself, seeing in his own near-death and recovery the same disfigurement and promise for American society as a whole. As he ponders his own spiritual condition and the healing power he found in family, religion, community, and art, he critiques the American soul and its devaluing of these very treasures. Instead of teaching and lauding the virtues of courage, critical thinking, and good judgment, Americans have made a media circus out of crime. We are so busy peeking pruriently into the twisted minds of madmen that we have forgotten the acts of violence are not significant because they tickle our bloodlust, but because they force us to rethink our priorities. In a power analysis of the media's response to his experience, for example, Gelernter points out that the Unabomber was described as a "genius," as "sick," as "fascinating," but never as evil. Gelernter asks the chilling question: What does it mean when a culture no longer believes in evil? What happens to a society that has lost its ability to react morally in a crisis? After all, when a man is blown up by a bomb, we should question, not gawk; learn the deeper lessons, not bask in the lurid details. A gripping and poignant narrative as well as a thought-provoking analysis of our culture and where it's headed, Drawing Life is about the resurrection of an extremely thoughtful human being and the extraordinary power of one man's will to live.
• Promised land, crusader state : the American encounter with the world since 1776

  Taking up the torch of George Kennan, Pulitzer Prize winner Walter McDougall proposes nothing less than to cleanse the vocabulary of our post-Cold War debate on America's place in world affairs. Looking back over two centuries, he draws a striking contrast between America as a Promised Land, a vision inspired by the "Old Testament" of our diplomatic wisdom through the nineteenth century, and the contrary vision of America as a Crusader State, which inspired the "New Testament" of our foreign policy beginning at the time of the Spanish-American War and reaching its fulfillment in Vietnam. To this day, these two visions and these two testaments battle for control of the way America sees its role in the world.
• American visions : the epic history of art in America

  The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced: O My America, My New Founde Land explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia. The Republic of Virtue sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch. The Wilderness and the West discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the luminists, who viewed the natural world as the fingerprint of God's creation, and of those who recorded America's westward expansion, George Caleb Bingham, Albert Bierstadt, and Frederic Remington, and the accompanying shift in the perception of the Indian, from noble savage to outright demon. American Renaissance describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners. The Gritty Cities looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School. Early modernism introduces the first American avant-garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright. Streamlines and Breadlines surveys the boom years, when skyscrapers and art deco were all the rage, and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans the way we live now. The Empire of Signs examines the American hegemony after World War II, when the abstract expressionists, Jackson Pollock, Willem de Kooning, Mark Rothko, et al., ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music. The Age of Anxiety considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 1990s. Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America. Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions is published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America." This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.
• Crazy rhythm : my journey from Brooklyn, jazz, and Wall Street to Nixon's White House, Watergate, and beyond--

  Crazy Rhythm is a smart, swinging memoir that answers the question "How did a liberal Jewish jazz musician from Brooklyn become one of President Richard Nixon's most trusted advisers and one of Washington's most influential lawyers?" Leonard Garment was probably the hippest man ever to serve in the White House - a jazz musician with an affinity for artists, African-Americans, Jews, American Indians, and the "rabble-rousers" of post-1960s American politics, a man as.comfortable with Dick Gregory as he was with Dick Nixon. Garment presents a rare view of Nixon, showing us the man as he ascended to the presidency - brilliant, fascinating, and complex. Garment describes his advocacy on behalf of Israel at the United Nations, his efforts to expand government support for the arts, his crisis management of American Indian protests, and his ideological wrestling matches with Pat Buchanan. He also writes poignantly of his tumultuous first.marriage to Grace Albert, a talented television writer who, one day, mysteriously disappeared.
• Nehru : a tryst with destiny

  Following Nehru from childhood, through his Harrow and Cambridge education, to his years as nationalist leader and Prime Minister of India, Stanley Wolpert's compelling, authoritative biography strips Nehru of his many cloaks and covers, removing the public masks he fashioned for himself throughout his mature life. With a subtle analysis of the various influences on Nehru's intellectual and political life - including the early homosexual influences, his conflict with his father, his close relationship with Mahatma Gandhi, his English education, and the years of periodic and sometimes prolonged imprisonment - Wolpert lays open to the reader the most nuanced, insightful rendering of Nehru's life yet written.Wolpert describes Nehru's brief career as a barrister, and his devotion to India's struggle for freedom, following in the footsteps of Mahatma Gandhi to the dust and poverty of India's villages. The book traces Jawaharlal's swift rise to the presidency of India's National Congress, revealing how his radical ideas and fearless leadership of Congress's left wing soon won him the martyrdom of long years behind British bars for conducting civil disobedience campaigns. After his release in 1945, Nehru met Lord Mountbatten, with whom he was destined to negotiate the independence and partition of British India into the nation states of India and Pakistan in 1947. Nehru then went on to become India's immensely popular Prime Minister for almost two decades.Wolpert brings Nehru's complex personality to life against a vividly portrayed picture of India's fascinating history throughout its most turbulent century. He shows how India's own destiny was intimately wrapped up in the destiny of Nehru, a charismatic leader who stands among the twentieth century's foremost statesmen.
• Radical son : a journey through our times

  In a narrative that possesses both remarkable political importance and extraordinary literary power, David Horowitz tells the story of his startling political odyssey from Sixties radical to Nineties conservative. A political document of our times, Radical Son traces three generations of one American family's infatuation with the radical left from the Bolshevik Revolution of 1917 to the collapse of the Marxist empire six decades later. David Horowitz was one of the.founders of the New Left and an editor of Ramparts, the magazine that set the intellectual and revolutionary tone for the movement. From his vantage point at the center of the action, he populates Radical Son with vivid portraits of people who made the radical decade, while unmaking America at the same time. We are introduced to an aged Bertrand Russell, the world-famous philosopher and godson of John Stuart Mill, who in his nineties became America's scourge, organizing.a War Crimes Tribunal over the war in Vietnam. There is Tom Hayden, the radical Everyman who promoted guerrilla warfare in America's cities in the Sixties, married film legend Jane Fonda, and became a Democratic state senator when his revolutions failed. We meet Huey Newton, a street hustler and murderer who founded a black militia that became the Sixties' most resonant symbol of black power and black militance. Horowitz's encounter with Newton and his Black Panthers,the most celebrated radical group of the Sixties, becomes the focal point of the story when a brutal murder committed by the Panthers changes his life forever, prompting the profound "second thoughts" that eventually led him to become an intellectual leader of conservatism and its most prominent activist in Hollywood.
• One man's America : a journalist's search for the heart of his country

  One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as American ambassador; a copy boy who rose to become editor in chief of.Time Inc. If Time was the voice of America, for many years Henry Grunwald was the voice of Time. He started at the magazine running errands and wound up running all the publications of Time Inc., at the summit of American journalism. Yet this lucid charming autobiography reveals a man not overawed by the momentous events he witnessed and influenced, or by the personalities he encountered. During his long and distinguished career at Time, Grunwald interviewed, befriended,and feuded with some of the most intriguing figures on the world stage, from Whittaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But just as intriguing to him were the mores and folkways of all the people of the United States, Main Street bankers and radical students alike, through whom he sought to understand the heart of his adopted country.
• Virtuous reality : how America surrendered discussion of moral values to opportunists, nitwits, and blockheads like William Bennett

  This book is for nervous parents, neo-Luddites, kids, journalists, rappers, intellectuals, digital wanna-bes, Webheads, MTV users and banners, Beavis & Butt-head fans, survivors of the 1996 presidential election and buyers of William Bennett's moral fables. Here's some of what it's about: Public discussions of culture and new media are hysterical, confusing and irrational. We have to start over. We blame our ascending, technologically distributed culture - music, TV shows, movies, computers - for crime, civic apathy and other social woes, while their complex causes and expensive solutions are ignored. Journalism has lost its moral moorings. Its new corporate owners have taken it far from its original purpose, as practiced by Thomas Paine and Thomas Jefferson, and transformed it into a timid, stuffy, "objective" and increasingly destructive entity. We need to understand the good things the information revolution is bringing and not just wring our hands over the bad. Consider the way interactivity is democratizing the spread of information. How the Internet is transforming science and research. How individuals can now carry on their own dialogues, instead of submitting to the suffocating dictates of three networks and a few newspapers. How citizens have the machinery to join in the discussions of political life. Children need more, not less, access to technology, culture and information. We have been led into a false choice - the old culture versus the new - by shallow politicians and manipulable journalists. Sensible people can pick what they want and need from both cultures, each offering vast amounts of both excellence and garbage.
• War by other means : economic espionage in America

  In this book journalist John Fialka reveals a secret war that jeopardizes the economic security of the United States and the livelihood of millions of Americans. The battlefield is now economic rather than ideological, but espionage in the 1990s springs directly from the ruins of the Cold War spy regimes. Newly configured, the covert operations of America's enemies-and friends-threaten to hollow out the U.S. economy and siphon away the jobs and technologies we need to remain competitive in the twenty-first century. From Russia's brazen shopping tours for U.S. secrets to the subtle art of technology "tunneling" by the Japanese, this book illuminates a loss that is widely felt, but not often seen or understood. Fialka's incisive reporting and trenchant analysis expose an attack on the American economy so deadly as to constitute a time-lapse Pearl Harbor; his book outlines the hard choices we must make if we are to survive
• Speaking truth to power.

  Anita Hill's characterization of the Clarence Thomas Supreme Court hearings.
• Faubus : the life and times of an American prodigal

  A biography by Roy Reed about former Governor of Alabama, Orval Faubus.
• American scripture : making the Declaration of Independence

  Historian Maier shows us the Declaration as both the defining statement of our national identity and the moral standard by which we live as a nation. It is truly "American Scripture," and Maier tells us how it came to be. She describes the transformation of the Second Continental Congress into a national government, unlike anything that preceded or followed it. She lets us hear the voice of the people as revealed in other "declarations" of 1776. Detective-like, she discloses the origins of key ideas and phrases in the Declaration and unravels the complex story of its drafting and of the group-editing job which angered Thomas Jefferson. She also reveals what happened after the signing and celebration: how it was largely forgotten and then revived to buttress political arguments of the nineteenth century; and how Abraham Lincoln ensured its persistence as a living force in American society.--From publisher description.
• Vindicating the founders : race, sex, class, and justice in the origins of America

  It is commonly, but incorrectly, asserted that because Washington and Jefferson owned slaves, because women, even after the American Revolution, enjoyed virtually no rights, and because the poor and those without property were denied the basic tenets of democratic participation, the Founders were frauds who never really believed that "all men were created equal." West demonstrates why such politically correct interpretations are not only dead wrong, but dangerous. Because our understanding of the Founders so profoundly influences our opinion of contemporary America, this book explains why their views, and particularly the constitutional order they created, are still worthy of our highest respect. West proves that the Founders were indeed sincere in their belief of universal human rights and in their commitment to democracy. By contrasting the Founders' ideas of liberty and equality with today's, West persuasively concludes that contemporary notions bear almost no resemblance to the concepts originally articulated by the Founders.
• Taking on the world : Joseph and Stewart Alsop--guardians of the American century

  In 1948 the column-writing Alsop brothers produced an article for the Saturday Evening Post, then the country's preeminent weekly magazine. Its title: "Must America Save the World?" Their answer was a resounding yes. Indeed, Joseph and Stewart Alsop were there in those heady postwar years when the country's foreign-policy elite created what became known as the American Century. As men of words, they served as confidants of and cheerleaders for the men of deeds, who came largely from the country's patrician class. The Alsop brothers were themselves sons of this class. Theodore Roosevelt was the brothers' great-uncle. Eleanor Roosevelt was their mother's first cousin. They grew up with members of this Anglo-Saxon elite, went to school with them, socialized with them. And they threw the considerable weight of their column behind the efforts of these statesmen to refashion the world. Writing four times a week, they appeared in nearly two hundred newspapers; their work also graced the pages of the major magazines of the time. Thus, they wielded immense influence throughout the nation from the victory in World War II to the defeat in Vietnam. Stewart was a political analyst of rare acumen, while Joe, his older brother, was a curmudgeon with an aristocratic bearing and a biting wit. He once likened a dinner at Lyndon Johnson's to "going to an opera in which one man sings all the parts." He was a friend and confidant of John Kennedy, a teacher of Washington ways to Jackie Kennedy. When he called people in the highest echelons of officialdom, they responded. In Taking On the World, Robert W. Merry, a Washington insider himself, has fashioned an intricate and fascinating combination of biography and narrative history. As Mr. Merry puts it, "Within the lifetime of the Alsop brothers the country was remade. And its remaking illuminates their careers, just as their careers illuminate the American Century." Robert Merry casts brilliant light on these two remarkable men, and on one of the most tumultuous periods of the country's history.
• The living and the dead : Robert McNamara and five lives of a lost war

  This brilliant, explosive, and passionate book reveals the Vietnam War as we never before have seen it - through the prism of Robert McNamara's crucial and tangled decision-making. It is a book that examines not only the genesis - in McNamara's life and character - of his wartime decisions, but how they altered forever the fates of four men and a woman who, beyond their own human importance, might be said to stand in for all who were caught in the maelstrom that was Vietnam. In McNamara's looming shadow we are shown, in equally intense detail, five people who were caught up in the wake of his life-and-death decisions: an artist whose long-harbored rage erupts on a Massachusetts ferry as he tries to kill McNamara, by then retired from the Cabinet; a young Marine physically and psychologically scarred by Vietnam battle; a Quaker who immolated himself in protest outside the Pentagon; a nurse desperate to believe her agonies in Vietnam were for a good cause; and a member of a Saigon family enlisted, and then tragically abandoned, by the Americans. More than a decade in the making, The Living and the Dead is meticulously researched, astonishing in its revelations, and often in conflict with McNamara's own version of events.
• The good book : reading the Bible with mind and heart

  The Good Book is a brilliant and inspiring look at the Bible today from the preacher to Harvard University, a man Time magazine called one of the seven best preachers in America. "The theme of this book," writes Peter Gomes in his introduction, "is the risk and the joy of the Bible: risk in that we might get it wrong, and joy in the discovery of the living Word becoming flesh. It is around this theme that I formulate three basic questions which the thoughtful reader.brings to the Bible: What is it? How is it used? What does it have to say to me?" With compassion, humor, and insight, Gomes gives us the tools we need to make the Bible a dynamic part of our daily lives - and reminds us that the Bible is not just doctrine and interpretation, but one of the most available and extraordinary means by which we are brought into proximity with the divine.
• Into the storm : a study in command

  A non-fiction analysis of the Persian Gulf War and the nature of war and command as seen through the actions of General Frederick M. Franks, Jr., commander of the armor and infantry of VII Corps.
• Rage for fame : the ascent of Clare Boothe Luce

  Born illegitimate on New York's Upper West Side, with nothing to recommend her but blonde good looks and a ferocious intelligence, she used sex, street smarts, acid humor, and money to plot a career more improbable than anything in her own fiction and drama. At ten, Clare Boothe understudied Mary Pickford on Broadway. At twenty, she was both a suffragette and a siren to well-placed men on both sides of the Atlantic. She spurned the handsomest to marry the richest: George Tuttle Brokaw, an alcoholic Fifth Avenue millionaire more than twice her age. At twenty-six, she was free of him, financially secure, in the full flower of her beauty, and ambitious enough to scorch silk. Clare Boothe set about transforming herself into a caption writer at Vogue, staff writer and managing editor of Vanity Fair (glossiest of the Deco-era magazines), and author of Stuffed Shirts, a satiric short-story collection brilliant enough to arouse the envy of Andre Maurois. Then, in three days at age thirty-three, she wrote The Women, the hit play whose dry-martini dialogue ("I'm a virgin - a frozen asset") still elicits gasps from audiences around the world. By then Clare Boothe was married again, this time to a man who was her equal in force of character: Henry Luce, the youthful publisher of Time and Fortune. On their honeymoon, she helped plant the seed of his greatest success, Life. For Luce, meeting Clare was a "coup de foudre," a lightning stroke that transformed him overnight into the most ardent and generous of lovers. To Clare, whom a French artist once described as "a beautiful facade without central heating," Henry was only the latest, and by no means the last, of the men she cruelly disillusioned. Although the marriage endured, this clear-eyed biography chronicles its deterioration from passion to partnerships. Other admirers, including Max Reinhardt, Conde Nast, Joseph P. Kennedy, Randolph Churchill, Noel Coward, Bernard Baruch, Paul Gallico, Isamu Noguchi, and Jawaharlal Nehru, crowd the pages of Rage for Fame - even Gertrude Stein, in one hilarious episode. All testify to Clare Boothe Luce's extraordinary charm and guile. However, she had powerful detractors, notably Franklin D. Roosevelt, David O. Selznick, Frida Kahlo, and Dorothy Parker. Copious quotations from her own diaries, as well as from those of her daughter, Ann, and the letters of her doomed literary mentor Donald Freeman, reveal dark undercurrents of deceit, ruthlessness, and narcissism in her personality. Behind the blue eyes and flirtatious manner, she was, in Irwin Shaw's words, "feminine as a meat axe." By the time she was thirty-seven, Clare Boothe Luce had written two more Broadway hits (the opening of her anti-Nazi play Margin for Error attracted not only Albert Einstein but Thomas Mann), a bestselling book on the 1940 fall of France, and numerous articles for Life, which employed her as a roving correspondent in the early days of World War II. Always fascinated with military strategy and intelligence, she was an ardent advocate of U.S. intervention in both hemispheres. After Pearl Harbor, her rage for fame became a rage for power that only politics would satisfy.